Terrifying. Devastating. Tragic.

Those are the three words that come to mind when I think of Elizabeth Scott’s Living Dead Girl. After finishing it in one sitting late last night, I’m still trying to catch my breath and desperately trying to get rid of the weight that seems to have settled on my chest. But I think it will be a long time before this happens because what has happened to “Alice” in the book can happen to a child in real life…probably has happened.

The book is told from the point of view of “Alice” a fifteen-year old girl who was kidnapped on an elementary school field trip when she was 10. Her captor, Ray, has sexually and physically abused her every day since he kidnapped her. He starves her because he doesn’t want her to physically mature, he terrorizes her and tells her that he’ll kill her parents and burn their house down if she tries to escape. I’m putting “Alice” in parentheses because that is not her real name. It’s the name Ray gave her, the same name he gave the girl he kidnapped and killed before he kidnapped the second Alice.

Alice calls herself a “living dead girl.” She’s numb inside, she’s hungry, she’s been tortured so much that she wishes for death. She’s waiting for it, hoping for it, expecting it any day; but Ray has something different in mind that is even more terrifying to the reader, and he needs Alice’s help.

I’ve always heard stories about people getting kidnapped and having many opportunities to escape, but they don’t. This is Alice’s case. There are multiple opportunities for her to tell someone, to run away, to ask for help, but Ray has instilled so much fear in her that she doesn’t even think about it anymore.

She truly believes that he will kill her parents, and at one point she says, “I could run, but he would find me. He would take me back to 623 Daisy Lane and make everyone who lives there pay. He would make everyone there pay even if he didn’t find me. I belong to him. I’m his little girl. All I have to do is be good” (p. 34).

What is most profound is that Ray has brainwashed her to the point of her believing that she’s bad, she’s selfish, and that it’s all her fault. On the day of the kidnapping, she wouldn’t share her lip gloss with her friends. They walked away from her, leaving her alone and exposed to a monster, but she blames herself, thinks if she wouldn’t have been so selfish, her life would be different. It’s truly heartbreaking.

But the worst part is that people look the other way. They know something’s not right, but don’t step in.

Scott’s writing is gripping, captivating, and horrifying. She draws you in from the very beginning, and Alice immediately becomes real, someone you ache for, someone who you want to make it, someone you want to pluck out of this nightmare of a life. If you’re wondering about the language and descriptions in the book, it is evident that Ray is sexually abusing Alice. It’s evident that sexual acts are being performed, but the language itself is not graphic.

When discussing why she wrote Living Dead Girl, Elizabeth Scott says, ” I wrote Living Dead Girl because it demanded to be told, and I hope it speaks to you as strongly as it did to me.” (read more at Simon & Schuster’s website).

Did I like the story? Honestly, no. I don’t like stories about children being sexually abused. Was it well-written? Absolutely. Should every parent read it? Absolutely. Should teens read it? I want to say yes. I want to say that it could potentially save lives, but it’s scary. All I want to do is scoop my daughter up and never let her go.

Still Missing by Chevy Stevens

Heading to a beach? Boy do I have the book for you!

Every now and then a new author comes along that totally knocks one out of the park. As a reader, I’m always thrilled to discover a great new voice. As a writer, of course I’m insanely jealous and suffer a terrible case of why-didn’t-I-think-of-that? Given that debut author Chevy Stevens is young, beautiful and talented, I’ve been gnashing my teeth for months!

Still Missing represents psychological suspense at its very best. Realtor Annie O’Sullivan is abducted from an open house and held captive for a year in a remote cabin by a sadistic survivalist who considers her to be his wife as well as preferred breeding stock. His goal is to get her pregnant and live creepily-ever-after as the last man and woman on earth. Her goal is to get away from him.

Now, you know Annie wins this war as the book opens with her talking to a therapist. So you may ask, where is the suspense? I can’t give you a simple answer to that, other than to say every page crackles with it.

Still Missing creates one of the most haunting narratives I’ve read in years. On the one hand, survivor Annie is tough, angry, and brittle. The very worst has happened to her, and she escaped through her own ingenuity and frankly, savagery. On the other hand, survivor Annie is jumpy, terrified, and sleep-deprived. All these months later, she still can’t pee “off schedule.” In one of the more moving scenes of the novel, she downs a gallon of iced tea in order to force herself to urinate by her own free will. She can’t do it.

In addition to her compelling heroine, Stevens has created one of the best psychopaths since Hannibal Lecter—and that’s not something I say lightly. Annie refers to her captor simply as The Freak. Much like Hannibal, The Freak considers himself to be a civilized human being. Intelligent, good looking and resourceful, he’s an excellent “husband.” He has provided a charming cabin. He supplies fresh food—sometimes so fresh that city slicker Annie must bleed it out first, but details, details. Of course he has expectations of his wife. She must be well groomed, properly garbed, and 100% submissive. All failures to comply are met with The Freak’s idea of appropriate punishment. The Freak is also thoughtful and tender. Want to stop sleeping for a few nights? Read the scene where The Freak first shaves Annie. And he means it in the nicest sort of way.

Stevens skillfully juxtaposes the back story of Annie’s captivity with the front story of a woman desperately trying to reclaim her old life. As with all great suspense novels, the surprises abound. Annie thought she’d survived the worst with The Freak. But has she?

As the taut cat and mouse game unfolds, you will cheer for Annie. You will hate The Freak. And you will be absolutely mesmerized by the last line of this novel. Then, most likely, you will return to page one, and start it all over again.

So give yourself a summer vacation. Check out debut author Chevy Stevens, and soon you will be Still Missing.

If there’s one dress that can make Jane Stuart think that anything was possible, it’s her late grandmother’s vintage 1920s Parisian dress. And when the dress becomes her ticket out of Kirland, Indiana, Jane takes her first tentative steps on her own reckless, passionate, and oh-so-dangerous adventure-to the fashion world of Paris, the celebrity scene in Manhattan, and beyond. But, as the dress takes her to dazzling new heights, one man will bring her back down to earth.
If there’s one dress that can make Jane Stuart think that anything was possible, it’s her late grandmother’s vintage 1920s Parisian dress. And when the dress becomes her ticket out of Kirland, Indiana, Jane takes her first tentative steps on her own reckless, passionate, and oh-so-dangerous adventure-to the fashion world of Paris, the celebrity scene in Manhattan, and beyond. But, as the dress takes her to dazzling new heights, one man will bring her back down to earth.

Orphaned and besieged, Princess Alesandra knows that only hasty marriage to an Englishman can protect her from the turmoil in her own land. Colin, the younger brother of the Marquess of Cainewood wants to claim her forever, and he is prepared to risk his life to do so.

Alex is a criminal lawyer practicing in London. An old friend whom she hasn’t seen for years calls upon her for help. His elegant wife, Grace, has disappeared. The police aren’t trying hard enough to find her. Alex goes to his aid and discovers that he had good reason for murdering the alluring but not so very lovable Grace.

‘You will live to regret this!’ is Clara Brown’s opinion when her headstrong daughter Fifi secretly marries Dan Reynolds, a handsome but itinerant bricklayer. Dan and Fifi move to London and a seedy flat in Dale Street, Kennington, and despite initial feelings of horror at her new surroundings, Fifi finds London and the freedom from her middle-class family background exhilarating. Insatiably inquisitive, Fifi is fascinated by her new neighbours and wants to know what goes on behind all those shabby front doors. Why is Yvette, the French dressmaker, such a hermit? And why doesn’t widower Frank join his daughter and grandchildren in Australia? But most of all she is ghoulishly fascinated by the Muckles who live opposite in terrible squalor.

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